Painting · Printmaking · InstallationEst. 2003 — Present

Kyle Parker
Cunningham

Believing in a future is not the same thing as living through a future — an archive kept in the present tense, organised by discipline and year.

XIII☀ Summer, 2026
The Current Edition

Everything That Can Be Carried

The Front Page · Season XIII · Lives June — September 2026

The studio loses its walls. A summer spent finding out whether the whole operation — paintings, a press, a bindery — can be carried, and keep working from anywhere. Filed under Survival Notes from the Near Future.

This season the studio has no walls. Through the summer Jeannie and I are working out of a vehicle across Wyoming, Montana, and Colorado — climbing and painting in the mornings, swimming the heat off at midday, documenting in the evenings, all of it running on a satellite signal and a battery. The question underneath it is simple and practical: can the whole operation be carried — made small enough, and durable enough, to keep making real, physical things from wherever the work happens to be?

It is one investigation under a single name, Survival Notes from the Near Future: a practical guide and a meditation on moving into a reality of computing and climate change without losing what makes us human. What comes back from the road will gather here, week by week, all summer long.

We need to rethink the way technologies are integrated into our existence — and embrace them for the realization of our goals.

survival notes · 2026
— the season's work —

The 200. Two hundred small watercolors — half mine, half Jeannie's — painted in the field and each one unique. The first iteration of a larger idea, made entirely on the move. They go up for sale beginning at the summer solstice.

Two books, bound in the forest. First editions in the Sewn Boards structure: Wittgenstein's Tractatus Logico-Philosophicus, chosen for what it says about the limits of language in the age of the language model, and Whitman's Leaves of Grass, which Whitman set by hand. Austere limit against catalogue-everything abundance — the conceptual engine of the whole summer. (More on the craft: Agile Meteor Press.)

The Periodic, field-printed. The small art newspaper, now run off a laser printer and a lithium battery in the van — proof that a real publication can be made from the side of a road.

The film. An unhurried document of the making: a drone over open country, the press set up where there are no walls, the landscape doing most of the talking.

— field log —

A running record of the season lives in the log, posted from the road. While this edition is the front page, the latest entries follow just below.

2026·06·21 Solstice: the season opens 2026·03·10 Production notes for a periodic art newspaper 2026·02·15 Print specs and image prep for artist newspapers The full log →

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About this front page

This page is season XIII of a living homepage. Each season the front of this site is composed anew — around whatever the studio is actually doing — and when the season turns, this page retires, whole and unchanged, to the permanent archive. The homepage is a work; the archive keeps everything.

— KPC, somewhere with a satellite signal, summer 2026
Browse the past editions →